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June 25, 2014, 20:43 PM
Autodesk has signed a definitive agreement to acquire Shotgun Software, a developer of scalable, cloud-based production tracking, review and asset management software for the film, television and games industries. This transaction is expected to close during Autodesk’s fiscal quarter ending July 31, 2014, and have no impact on Autodesk’s guidance issued on May 15, 2014. […]The post Autodesk to acquire Shotgun Software appeared first on postPerspective - Randi Altman's postPerspective.
June 25, 2014, 20:43 PM
Autodesk has agreed to acquire Shotgun Software, a developer of scalable, cloud-based production tracking, review and asset management software for the film, television and games industries.
June 25, 2014, 20:42 PM
Color model drawing from the Chuck Jones-directed TV special, “A Connecticut Rabbit in King Arthur’s Court”, 1978, graphite and colored pencil on 12 field animation paper. (An homage to Mark Twain’s...
June 25, 2014, 07:11 AM
Marcel deJong Autodesk Mudbox expert as he provides an overview of new features recently released in Mudbox 2015. He’ll demonstrate the interoperability between Mudbox and Maya in the Entertainment Creation Suite.
June 25, 2014, 01:32 AM
Two years ago, Viacom’s Nickelodeon announced an annual competition as it battled a ratings drop. Rookie animators could vie for the chance to create an 11-minute cartoon. With any luck, Nickelodeon would find fresh creativity.
June 25, 2014, 01:27 AM
SHAPES 2 blender shape editor for Maya will add the new shapes brush as well as being able to use blend shape weight maps
June 25, 2014, 01:26 AM
create motions graphics elements right in After Effects using Trapcode MIR
June 24, 2014, 00:09 AM
New York, NY – The animation/visual FX company Brigade put its unique skills to work for the New Mexico Department of Transportation (NMDOT), helping complete an uncommonly eye-catching :30 PSA entitled “Physics Professor.” Using their fast-moving methods for creative collaboration, Brigade assembled an elite team of artists that completed the visually arresting animation, compositing and particle effects from concept to final in under two weeks.
Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor....
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work ...
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