A community-driven source for post-production information
May 23, 2019, 08:18 AM
NAME: New York-based Grace Novak WHAT’S YOUR JOB TITLE? Editor and Colorist WHAT DOES THAT ENTAIL? I work with directors/clients to make their project come to life using an editing program. Then during the color process, I bring it even closer to their aesthetic vision. Continue reading → May 22, 2019 The post Behind the Title: Editor and colorist Grace Novak appeared first on postPerspective.
May 20, 2019, 14:06 PM
LUTs are versatile presets used by popular video editing software like Adobe Premiere and Final Cut Pro. When applied, they instantly transform the look and feel of any clip. They also help you save time and effort by removing the need for advanced edits. This Top 3 feature focuses on some of the best video LUTs available on Envato Elements.
May 17, 2019, 20:03 PM
In a nod to the increasing demand for top-shelf color services in the era of peak TV — especially from the 4K-friendly and HDR-hungry likes of Netflix and Amazon Prime — Santa Monica VFX studio A52 has launched a new color-grading and finishing department, A52 Color. Colorists Paul Yacono and Daniel de Vue will be operating […] The post A52 Ups Its Color Game with Paul Yacono, Daniel de Vue, and Dedicated, HDR-Ready Studio Space appeared first on Studio Daily.
May 16, 2019, 04:15 AM
LOS ANGELES — Jeremy Sawyer is returning to Panavision’s Light Iron (www.lightiron.com) facility in Los Angeles as a senior colorist. He brings over 20 years of color finishing experience to his role, and previously worked at the studio from 2015 to 2018. While there, he contributed to projects that include I’m Dying Up Here, Easy, The First, Goliath, Mr. Mercedes and The Walking Dead.
May 9, 2019, 13:25 PM
Tony Dustin has joined the Deluxe Post Production creative team as senior colorist at Hollywood’s Efilm. He will also be doing some work for sister company Encore. With more than 20 years of experience in color grading, Dustin’s work spans styles and genres, with a talent for revealing details in the darker palettes of many of his projects. Continue reading → May 9, 2019 The post Tony Dustin joins Efilm as senior colorist appeared first on Randi Altman's postPerspective.
May 6, 2019, 12:42 PM
In low-budget filmmaking, there are two major hurdles in attaining the ever-elusive status of “high production value.” Namely, sound and color. If your sound lacks clarity and particularly if your color lacks depth, then your film lacks luster and falls short of that “professional” sheen.
May 2, 2019, 09:18 AM
FilmLight had a number of grading solutions on display at NAB. This video highlights the company’s Prelight, Daylight and Baselight tools, as well as solutions for Avid, Nuke and Flame workflows. In addtion, colorists Doug Delaney (Captain Marvel) and Andrea Chlebak (Elysium, Chappie) stop by. Replay NAB2019 with FilmLight from FilmLight on Vimeo.
May 1, 2019, 12:39 PM
FotoKem’s Atlanta and Burbank facilities both worked on the post production — from digital dailies through finishing with a full ACES finish — for Universal and Legendary Pictures’ film, Little. From producer Will Packer (Girls Trip, Night School, the Ride Along franchise) and director/co-writer Tina Gordon (Peeples, Continue reading → May 1, 2019 The post Little’s dailies-to-ACES finishing workflow via FotoKem appeared first on Randi Altman's postPerspective.
April 29, 2019, 13:20 PM
World renown and respected supervising colorist Peter Doyle, whose large body of work includes on The Lord of the Rings trilogy, has joined London’s Warner Bros. De Lane Lea’s (WBDLL) new picture services division. Doyle brings with him extensive technical and creative expertise acquired over a 40- year career. Doyle has graded 12 of the 100 highest-grossing films of all time including the Harry Potter film series. Continue reading → April 29, 2019 The post Colorist Peter Doyle join...
April 26, 2019, 10:54 AM
BURBANK, CA — Colorist Aidan Stanford has joined FotoKem’s Keep Me Posted (http://kmppost.com), which specializes in creative and technical episodic post production services. With over 25 years of experience, Stanford brings expertise that includes proficiencies on a range of color grading systems.
Avid filled in some workflow gaps at IBC 2019, announcing native support for Apple ProRes Raw in Med...
At one point in Chad Stahelski’s John Wick: Chapter 3 – Parabellum, Keanu Reeves’ titular char...
Blackmagic Design scaled down the production switcher at IBC, announcing the new Atem Mini, a $295 l...
© 2007-2020 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.