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After Effects Classic Course: Colorama 3 – Color

July 29, 2019, 10:11 AM

https://www.provideocoalition.com/after-effects-cl...

One of the main reasons behind the creation of Colorama is to perform what’s known as “color cycling” effects. Although often associated with psychedelic animations, it’s actually an old-school technique often used in video games to add the appearance of animation to a portion of a still image such as water or the sky. Here’s... The post After Effects Classic Course: Colorama 3 – Color Cycling appeared first on ProVideo Coalition.

Create Custom LUTs for Adobe Premiere Pro CC using

July 28, 2019, 04:28 AM

https://www.youtube.com/watch?v=3FuGhbInKp8

This is an excerpt of a recent PowerUP webinar showing how to use HDR (High Dynamic Range) media in Apple Final Cut Pro X: https://larryjordan.com/store/274-using-hdr-media-in-adobe-premiere-pro-cc/ High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… With all these different high-end video formats, it’s easy to get confused. How do you work with them in Premiere Pro CC? In this short video excerpt, watch as Larry Jordan illustrates how to create custom LUTs (color Look-...

Illustrating Color Space and LUTs for Video

July 27, 2019, 07:02 AM

https://www.youtube.com/watch?v=w-QsGkGnXuw

This is an excerpt of a recent PowerUP webinar showing how to use HDR (High Dynamic Range) media in Apple Final Cut Pro X: https://larryjordan.com/store/274-using-hdr-media-in-adobe-premiere-pro-cc/ High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… With all these different high-end video formats, it’s easy to get confused. How do you work with them in Premiere Pro CC? In this short video excerpt, watch as Larry Jordan defines and illustrates color spaces and LUTs; and...

7 Options to Consider When Choosing Kodak Stock

July 16, 2019, 06:12 AM

https://www.premiumbeat.com/blog/choosing-kodak-mo...

Although digital has largely taken over as the primary capture format, many filmmakers are now choosing to shoot their projects on film. Whether you’re looking for a specific creative aesthetic or just enjoying the process of film, understanding film stock options will help you in this stage of the creative process.

Colorist Chat: The Refinery’s Kyle Stroebel

July 15, 2019, 12:33 PM

https://postperspective.com/colorist-chat-the-refi...

This Cape Town, South African-based artist says that “working creatively with a director and DP to create art is a privilege.” NAME: Colorist Kyle Stroebel COMPANY: The Refinery in Cape Town, South Africa CAN YOU DESCRIBE YOUR COMPANY? We are a full-service post company in the heart of Cape Town. Continue reading → July 15, 2019 The post Colorist Chat: The Refinery’s Kyle Stroebel appeared first on postPerspective.

Gregory Reese Joins a52 Color

July 13, 2019, 08:27 AM

https://www.studiodaily.com/2019/07/gregory-reese-...

Gregory Reese has become the newest colorist on the roster at Santa Monica’s a52 Color. Reese arrives at a52 after working as a colorist at The Mill for eight years, spending some of that time with a52 Color Executive Producer Thatcher Peterson, also a veteran of The Mill. His resume includes commercial credits for brands […] The post Gregory Reese Joins a52 Color appeared first on Studio Daily.

Veteran episodic colorist Scott Klein joins Light

July 9, 2019, 09:33 AM

https://postperspective.com/veteran-episodic-color...

Colorist Scott Klein has joined post house Light Iron, which has artists working on feature films, episodic series and music videos at their Los Angeles- and New York-based studios. Klein brings with him 40 years of experience supervising a variety of episodic series. “While Light Iron was historically known for its capabilities with feature films, Continue reading → July 9, 2019 The post Veteran episodic colorist Scott Klein joins Light Iron appeared first on postPerspective.

Rocketman graded in Resolve pipeline

June 20, 2019, 13:43 PM

http://www.postmagazine.com/Press-Center/Daily-New...

FREMONT, CA — Blackmagic Design’s DaVinci Resolve Studio was used throughout the color pipeline of Paramount’s musical biopic about Elton John. Produced by Marv Films & Rocket Pictures and directed by Dexter Fletcher, Rocketman was shot by George Richmond, BSC.

MPC bolsters color team with recent addition

June 18, 2019, 06:17 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON — Moving Picture Company (www.moving-picture.com) has bolstered its color team via the recent arrival of Yoomin Lee. A leading colorist, she cut her teeth working for some of Australia’s top post houses, including Frame, Set & Match, The Lab and Cutting Edge, before joining Jogger Studios London in 2016.  

Behind the Title: DigitalFilm Tree colorist Patric

June 6, 2019, 04:28 AM

https://postperspective.com/behind-the-title-digit...

This colorist, who works on episodic TV series, says, “There are so many talented colorists and photographers on Instagram. It’s where I get my daily inspiration.” NAME: Patrick Woodard COMPANY: DigitalFilm Tree (@digitalfilmtree) CAN YOU DESCRIBE YOUR COMPANY? Continue reading → June 5, 2019 The post Behind the Title: DigitalFilm Tree colorist Patrick Woodard appeared first on postPerspective.

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