It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 10, 2015, 02:51 PM
http://soundandpicture.com/2015/06/davinci-resolve...
As filmmaking continues to advance, it’s important to invest in new technology, but also not to forget the traditional art forms and to continue to create in the original mediums. And often times, mixing the old with the new produces an even greater result. Mauricio Baiocchi, senior creative at San Francisco based motion design studio Swordfish, did just that on “Crickets Would Sing,” a stop motion animated film based on short stories written by Frances Fabri.
June 10, 2015, 11:01 AM
http://www.btlnews.com/crafts/post-production/colo...
Supervising senior colorist Todd Bochner has joined Chainsaw, Hollywood, (part of the SIM Group). Bochner arrives with more than 20 years of experience and credits on more than 50 television series, as well as numerous features, commercials and music videos. His first project at Chainsaw will be the HBO series The Leftovers.
June 10, 2015, 11:00 AM
http://www.provideocoalition.com/shot-matching-in-...
June 10, 2015, 10:58 AM
https://www.aotg.com/davinci-resolve-12-color-correction/
Invented in partnership with Hollywood studios, DaVinci has been the standard in post production for over 30 years. DaVinci Resolve is the real time grading ...
June 10, 2015, 03:56 AM
https://www.aotg.com/fcpx-killer-features-chroma-keying/
This is "Final Cut Pro X Killer Features: Chroma Keying" by Rick Young on Vimeo, the home for high quality videos and the people who love them.
June 10, 2015, 03:56 AM
https://www.aotg.com/davinci-resolve-12-whats-new/
Blackmagic Design announced DaVinci Resolve 12, a major upgrade with over 80 new features for professional editing and color grading. This new update includes a new modern interface, multi-cam editing, powerful new media management tools, an entirely new professional audio engine with support for VST/AU plug-ins, shot matching, 3D keyer, new 3D perspective tracker, enhanced curve editing and much more.
June 9, 2015, 12:24 PM
http://www.studiodaily.com/2015/06/colorist-stephe...
Want to see the Dolby Vision HDR format in action? You can check it out at the El Capitan Theatre on Hollywood Boulevard, where Disney's Tomorrowland—the first film graded for Dolby Vision—is enjoying a four-week run. AMC has the system installed … more » The post Colorist Stephen Nakamura on Grading Tomorrowland in HDR appeared first on Studio Daily.
June 9, 2015, 04:51 AM
http://icolorist.com/a-new-technique/
There is something very exciting and motivating about finding a new technique. Sadly the more experienced we become as individuals and as a profession the less those truly inspired moments come. So I am happy to share this new find with you. Maybe I am not actually the first to have discovered it, but that does not diminish the moment for me at all. It is new to me and I have not seen it described elsewhere.
June 9, 2015, 04:48 AM
http://www.creativebloq.com/3d/how-approach-colour...
Tory Bryant had been working at Hasbro painting toys when Laika hired her to hand paint the faces for the stop-frame animated film Coraline (see more on that here).
June 9, 2015, 04:48 AM
https://www.aotg.com/resolve-matching-a-shot-with-rgb-parade-scopes/
In this episode of Resolve in a Rush, Alexis Van Hurkman from Rippletraining.com, demonstrates how to use RGB Parade Scopes to match to shots in DaVinci Resolve 11 and 12.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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