December 18, 2015, 07:19 AM
http://www.hollywoodreporter.com/behind-screen/how...
Listen again to those high-speed vehicles racing across the desert landscape in George Miller's postapocalyptic Mad Max: Fury Road, which was nominated Dec. 10 for a Golden Globe as one of the year's best dramas. For as supervising sound editors Scott Hecker and Mark Mangini — Oscar-nominated sound veterans from L.A.-based audio post facility Formosa Group — explain, each of those monster rigs has a distinct, and distinctly animalistic, personality.
Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor....
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work ...
© 2007-2021 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.