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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

After Effects Camera Tracking – Moving Blood Hit

January 4, 2013, 08:08 AM

http://www.surfacedstudio.com/tutorials/after-effe...

I have gotten quite a few questions about how I created the blood hit effect from my bullet hit tutorial where the camera pans across the screen as I am being hit.

#adobe#after effects#ae#camera tracking
Webinar Replay: Fixing It In Post with Continuum

January 3, 2013, 09:39 AM

http://www.borisfx.com/borisfxnews/2013/01/03/free...

On Thursday, December 20th, Avid Certified Instructor Jeff Greenberg demonstrated how to fix a variety of common post-production problems using Boris Continuum Complete in Avid editing systems.

Video Interview with Terence Curren of AlphaDogs

January 3, 2013, 09:37 AM

http://www.borisfx.com/borisfxnews/2012/12/28/vide...

Terence Curren of AlphaDogs talks to Boris TV about his experiences with Boris Continuum Complete. He discusses his favorite features and how Boris Continuum Complete has continually saved time and effort.

#boristv#boris continuum
A Talk with Livestream’s Thomas Wallis

January 1, 2013, 11:57 AM

http://nycppnews.com/2012/12/a-talk-with-livestrea...

Recently, Thomas Wallis, Senior Producer at Livestream, took us through a demo ot their new Livestream Studio HD500, an all-in-one location video production switcher and live streamer. Priced at a low-ball $8500, the five-input switcher takes on the competition, namely NewTek's TriCaster.

After Effects 3D Integration VFX Tutorial

December 31, 2012, 10:58 AM

http://www.surfacedstudio.com/tutorials/after-effe...

3D integration VFX has long been an item on my tutorial plan, but it took a considerable amount of time to plan it out properly and finally get started. Since the topic of 3D integration is rather complex, I decided to break this tutorial up into a number of parts and today I will start by covering the theory of 3D integration.

#adobe#vfx#after effects#ae
Gemini 4:4:4 Workflow: Importing Footage

December 28, 2012, 08:54 AM

http://blog.abelcine.com/2012/12/20/gemini-444-wor...

Not too long ago I put together a video blog on how to use the Gemini 4:4:4 to record video and ARRIRAW. Since that time, Convergent Design has added the ability to record Canon Raw from the C500 to the Gemini.

How to Produce Multicamera Projects in CS6

December 26, 2012, 04:39 PM

http://www.onlinevideo.net/2012/12/how-to-produce-...

Producing with multiple cameras is the easiest way to make your output look more professional, but if you’re not switching live on location, you’ll have to edit in post. This tutorial shows you how to synch and edit your multiple camera clips in Adobe Premiere Pro CS6.

#adobe#cs6#premiere pro
After Effects: Smokey Rays

December 24, 2012, 09:59 AM

http://motionworks.net/after-effects-smokey-rays/

This moody volumetric rays background is based on After Effects’ Fractal Noise and Optics Compensation effects, with some Curves, 4-Color Gradient and Mojo for the colour grade. I created it in full HD for your enjoyment. Download project (CS5.5)

#adobe#after effects#ae#smokey rays#background#volumetric
Getting Started with Color Correction

December 23, 2012, 04:15 PM

http://nofilmschool.com/2012/12/color-correction-c...

The colorist’s job has gotten a whole lot easier since chemical baths stepped out of the picture in many cases. Non-destructive color timing is the future in which we now live — that said, the principles at work in creating properly balanced imagery is as important as ever. Each camera we may be shooting on has its own unique implications in chromatic reproduction, and the ability to delicately correct a given color mixture (regardless of its source) is key.

#color#correction
CS6 Techniques: 103 Analyze Content: Find Faces

December 23, 2012, 11:35 AM

http://library.creativecow.net/devis_andrew/Premie...

In this tutorial, Andrew Devis explains how to use the 'Find Faces' function in Premiere Pro which can be a useful function to search/filter in the project panel to display only clips showing people. Although a useful function, it does take a while to analyze the clips, so it isn't always a fast solution.

#adobe#cs6#premiere pro#nle#media encoder#analyze

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