A community-driven source for post-production information
September 18, 2019, 09:10 AM
That line from James Cameron’s script for Titanic, coming deep into scenes of the chaotic sinking of the famous cruiseliner, might sound simple enough. But it would turn out to be the basis of one of the blockbuster film’s most memorable shots.
September 17, 2019, 12:36 PM
Sony has been using the phrase “beyond definition” in promotional literature for a while, and it’s a very apposite slogan. We hardly need to say that...
September 17, 2019, 08:32 AM
Kelley Dixon, ACE began her career in in the early 90s assisting on movies like Reservoir Dogs, Leaving Normal and Good Will Hunting. She moved on to edit TV series like Luck, Shameless, Breaking Bad, The Walking Dead, Halt and Catch Fire and Better Call Saul, plus TV Pilots and TV movies.
September 16, 2019, 09:08 AM
In this video David Shapton and Bas Goossens pick some highlights from day three at IBC 2019. One of the big trends of this year is the prevalance of 6K cameras, and Bas outlines the advantages of using such resolutions in your post workflow. Meanwhile David discusses the huge leaps being taken with AI in post, highlighting some of the incredible feats that are now possible.
September 16, 2019, 09:06 AM
Editor Tom Jarvis spoke with PremiumBeat on working The Late Late Show with James Corden and that special "Carpool Karaoke" segment with a childhood idol.
Avid filled in some workflow gaps at IBC 2019, announcing native support for Apple ProRes Raw in Med...
At one point in Chad Stahelski’s John Wick: Chapter 3 – Parabellum, Keanu Reeves’ titular char...
Blackmagic Design scaled down the production switcher at IBC, announcing the new Atem Mini, a $295 l...
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