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3 Top Baby Video Slideshow AE

December 7, 2019, 10:07 AM

https://photography.tutsplus.com/articles/top-baby...

Baby videos giving you teething problems? Try our baby video slideshow templates for great results every time.

Schoonmaker on Editing ‘The Irishman’ With Martin Scorsese (Exclusive Short)

December 7, 2019, 10:06 AM

https://www.yahoo.com/entertainment/thelma-schoonm...

If anyone knows Martin Scorsese, it's Thelma Schoonmaker. Schoonmaker has worked with the director since 1980's "Raging Bull," which won her the first of three Academy Awards, along with six additional nominations. Most recently, she won in 2007 for "The Departed." In this

5 Things To Know About Them - Expert Video Tutorial

December 7, 2019, 10:06 AM

https://www.pro-tools-expert.com/home-page/2019/11...

Mix Groups are so much more useful than just a way to link parameters across tracks in the Pro Tools mixer, though this parameter linking is pretty handy. You can use them in some quite unexpected ways. Here is our top pick of five things you really need to know to get the most out of Mix groups.

De-Aging De Niro: VFX Supe Pablo Helman on The Irishman’s New Approach to Performance Capture - Studio Daily

December 6, 2019, 15:12 PM

https://www.studiodaily.com/2019/12/irishman-de-ag...

Some of the pre-release buzz around The Irishman was … skeptical. Yes, director Martin Scorsese remains one of the most celebrated filmmakers in the world, but wasn’t he repeating himself by making another mob movie starring Robert De Niro? How could he justify a three-and-a-half-hour running time? And what about reports that the film was using de-aging techniques to allow De Niro, Joe Pesci and Al Pacino to play younger versions of their characters in the film? Was Scorsese’s character-and-performance-driven approach compatible with VFX-heavy filmmaking?

The quality of your cables really does matter

December 6, 2019, 12:03 PM

https://www.redsharknews.com/production/item/6837-...

As long as there have been cables, there’s been someone willing to take a cable, dip it in liquid nitrogen and polish it on a maiden’s knee, then sell it for 17 times the going rate. This sort of chicanery serves to make most people cautious about different and expensive cables bearing extravagant claims of specialness, usually quite rightly.

Creating and Ingesting Proxies in AVID Using Resolve

December 6, 2019, 09:06 AM

https://www.premiumbeat.com/blog/create-ingest-pro...

The DaVinci Resolve to AVID round trip is an industry-standard workflow used by many professional DITs, assistant editors, and post houses. This tutorial is ideal for assistant editors who are beginning an assembly of a show while production is still underway. This process uses DaVinci Resolve to create master clips that you can ingest in AVID, without consolidating or transcoding your media. This is because the proxies you’ll create in DaVinci Resolve are in the MXF OP-Atom codec, which allows you to drop them into your Avid MediaFiles folder and begin editing immediately.

Schoonmaker Discusses Editing The Irishman

December 6, 2019, 09:05 AM

https://variety.com/2019/artisans/awards/the-irish...

Thelma Schoonmaker is Scorsese's go-to editor. In this exclusive short, she goes behind-the-scenes of editing "The Irishman."

Update: Maxon Cinema 4D R21.1 Service Release Now Available - Toolfarm

December 5, 2019, 15:51 PM

https://www.toolfarm.com/news/cinema-4d-r21-1/

Maxon is pleased to announce the first service pack for Cinema 4D Release 21. This release includes updates to support Redshift materials within the Node Material system introduced in Cinema 4D Release 20. By popular demand, the option to view context-sensitive help both offline and within a Cinema 4D window has been re-enabled in R21.1, and offline help files are immediately available for download.

RedShark Connect: Filmmaking on the Move - Holiday Edition!

December 5, 2019, 12:09 PM

https://www.redsharknews.com/production/item/6839-...

RedShark Connect is a series of events around the world designed for filmmakers at all levels who are thirsty for more real-world information and experience. It's technology and craft with top level experts from manufacturers, all in one place, and the final RedShark Connect of 2019 is not one to miss.

ALADDIN: Daniele Bigi (VFX Supervisor) & Steve Aplin (Animation Supervisor) - Industrial Light & Magic - The Art of VFXThe Art of VFX

December 5, 2019, 12:08 PM

https://www.artofvfx.com/aladdin-daniele-bigi-vfx-...

Daniele Bigi began his career in the visual effects in the early 2000s and worked in many studios such as Framestore and MPC before joining ILM in 2015. He worked on many films like PROMETHEUS, GUARDIANS OF THE GALAXY, DOCTOR STRANGE and READY PLAYER ONE.

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